It is with a heavy sort of heart that I notice that, in Turn-A Gundam, there only seem to be three people who actually seem to want actual peace: Loran, Harry, Dianna, and Kihel. Considering that, at this point in time, the latter two are essentially the same person, this does not seem to be a very good situation to be in.
In fact, by this point (episode 40), I don’t think there’s a single group of people larger than about ten people who aren’t also working at cross purposes, even if they are “allied” with other groups of people. Dianna Counter has more or less betrayed their namesake for a coup d’etat and are functioning on different aims than the Agrippa Maintainer faction (which itself doesn’t have the greatest control of its elements) despite being set up by them; Luzianna and Guin Lineford seem to be on shaky ground most of the time, even if Lily Borjanon sticks around Guin and the Militia and the Suicide Squad cooperate with each other easily. Even in the “Loran and Dianna faction”, everyone has different motives, and even Harry Ord seems to be operating counter to Loran’s expectations.
And then Gym Ghingnham shows up with his Evil Sippy Teacup and an actually menacing object: the Turn-X. If the Turn-A is the famed White Devil of Black History memory, then the Turn-X is humanity’s savior in giant green Gundam form. As Gym conveniently expositions to us, in a voice that could only belong to Takehito Koyasu, the Turn-A and Turn-X are brothers and enemies–the X of Turn-X is literally the Turn-A’s symbol stacked on top of a similar A to produce an X–and, since both have been reawakened, both must now, as in the Black History, duel for the fate of humanity. The “rivalry” is deeply ingrained in the systems of the two units: Turn-A’s systems seem to respond almost innately to the Turn-X, much as it responded automatically when Dianna Counter botched the landing process on Earth.
In fact, in stark contrast to the AU Five Gundam Rule gold standard, and SEED and G’s cornucopia of Gundam units, Turn-A gives us two Gundam units, that are mortal enemies: one for progress and one for destruction. The Black History seems to indicate that the Turn-A is the Devil and the Turn-X the Savior…but who’s piloting them now? Loran uses the Turn-A far, far more for things that don’t involve destruction (and tries to avoid as much combat as he can); even the nuclear bombs he carried after the disaster at Lost Mountain that claimed Gavane Gooney’s life were used for positive means. As if gratifying the terrible burden in Turn-A’s chest Loran had borne (SYMBOLISM and that actually just occured to me now) Loran uses the nuclear warheads to prevent the destroyed Mistletoe colony from destroying the Moon’s capital. Turn-A is now some kind of hippie Gundam, in stark contrast to the Moon Hippies who violate all kinds of hippie rules left and right. Meanwhile, the Turn-X is in the broad, strong hands of the impeccably handsome Gym Ghingnham, who, quite unlike the romance novel model he is so often compared to, is anything but a kind, sensitive individual with an endearingly rough exterior; he opted for the “rough exterior”, decided against the endearing bit (this is extrinsically debatable but intrinisically a fact), and then forgot to get an interior. Joy.
It seems as if the pieces have been set for an epic Miltonic clash of Gundam proportiuon (a clash that will be quite unlike G Gundam, the most explicitly Biblical fanservice Gundam series of them all), except that, apparently, Paradise has already been Lost before (perhaps even several times over!! pseudo-spoilers!!) and it seems as if the table has been turned while no one was looking, sticking the Gundam units on the opposite sides and causing everyone else to move to odd places that they shouldn’t be in but are.
On a lighter note:
I note with relish that Turn-A Gundam is one of Tomino’s more light-hearted entries into the Gundam cantos, always a risky prospect with Gundam fans and with Tomino himself, apparently. But Turn-A seems to pull it off with Neo-Tomino stylings. I’ve not seen ZZ Gundam nor Victory Gundam (nor Daitarn 3, nor Xabungle, nor Vifam, nor…) so I’ve no idea how Shin-Tomino handled the “not being serious” thing, but if Turn-A‘s humor fails I forgive it because everything’s so patently ridiculous I don’t mind too much. I mean, we have Moon Hippies. We have Aztec analogues that worship a mass driver. Harry Ord has awesome if ridiculous sunglasses. I don’t think I know if it’s Tomino trying to be funny and failing or Tomino trying to be funny and suceeding (or how much is which), but it’s so far-fetched at times that I can’t help but love it. Even if the series itself is fairly serious, it doesn’t take itself seriously–a commendable fact that will frighten off as many viewers as it might attract for same, alas.
I now move towards the final episodes of the rewatch; I know what happens, and yet I feel like I don’t know. It’s oddly more…rewarding the second time through, perhaps because I paid more attention to different things than the first time through. Or explicitly thought about things I’d only felt unconsciously.