Archive for December 31st, 2008

Best Themes 2008 ERRATA, or, I Kick Myself

(errata for the previous post)

My amazing ability to forget the most random things in my absentmindedness never ceases to amaze me. 90% of the reason I started the “best themes of 2008” post was to post this, and, yet, I completely forgot to. I get caught up in everything else I forget that I haven’t done something and don’t realize it until I wake up the next morning.

Anyway, without further ado:

Ishikawa Chiaki – Prototype [Mobile Suit Gundam 00 s2 ED1] (PV)

Ever since I watched Simoun I’ve been in love with Ishikawa Chiaki’s songs and vocals. This became much more pronounced the following year when I watched Bokurano and found myself listening to the TV-rip version of Uninstall for a week. Straight. Literally. The same 1:30 of music over and over and over and over again. And it didn’t drive me crazy. I couldn’t stop.

Granted, that provided for a strange experience when the full length version surfaced three months later, so I was bound and determined not to do the same to Prototype, which I fell in love with the minute I heard it in episode, and then forgot all about it until I watched episode 3 with the full ED animation and I had to literally stop myself from sitting around watching the ED on repeat for hours on end, in order not to ruin what would eventually be a nearly 6-minute opus magnum.*

That, friends, is the power of Ishikawa Chiaki. I love Kajiura Yuki, yes, and See-Saw was great, but Chiaki seems to have taken the best parts of Kajiura and made them better. Chiaki manages to top herself at least once a year, and this cycle is madness and is going to ruin me for music forever. Or maybe I’m just a Ishikawa Chiaki fanboy. Hell, I ordered the single for no apparent reason. I consider importing singles one of the most difficult things to convince me of, as cost + international shipping usually makes it not worth it, except for the best of the best–which Prototype is.

We’ll just say that, rather than forgetting, I was merely saving the best for last, and building tension without actively doing anything! I would have done an edit, but that seems cheating after all this time, and, besides, why not give Prototype its own post? That seems more fitting than letting it slum with the lesser OP/EDs.**

* misusing Latin in an effort to sound cool, no doubt
** joke, I think

The 2008 Best Themes Post

I am totally stealing from CCY and cuchlann, and doubtless countless others, to bring you this post, a window into the mysterious workings of musical things in my mind. Expect it to make even less sense than usual!

Opening and ending themes and sequences oftentimes hold a special place in my heart, both musically and visually. A theme I like musically, even one used as marketing to help market the band’s single to a wider audience, will frequently cause me to investigate the rest of the musical unit’s oeuvre, sometimes resulting in the new acquisition of music to enjoy for music’s sake. Other times, a theme can come, in some way, to symbolize the whole of the series for me–the case of nirgilis’s Eureka Seven theme, sakura, for instance. Paired with a well-executed OP sequence, you can sometimes find me spending time I should be doing other things sitting around and watching the same 1:30 OP or ED over and over and over again.

At any rate, OP/ED themes often provide me with a chance to revisit the moods of series enjoyed in the past, and frequently introduce me to new musical units that I might not have heard through conventional means.

Here are some of my favorites this year:

eufonius – reflectia [true tears OP]

true tears remains one of my favorite series this year, second only, perhaps, to Xam’d (I seriously did not think there would be anything to challenge true tears this year until Xam’d showed up and clobbered me), and I still have a wave of melancholic happiness wash over me every time I hear reflectia (reflectier?). I know one of my car mix CDs had reflectia and euphoric field one after the other, and that was a truly epic CD indeed.

Snow* – Chain [Shigofumi ED] (yes, the link is OP and ED, I know)

Same CD also had Chain on it. The ethereal, haunting tones of Chain never failed during Shigofumi’s run to give me the cold chills up my spine at the end of an episode. Even the happy, silly, not-mentally-disturbing ones. That kind of power tends to stick with you.

Kiyoura Natsumi – Tabi no Tochuu [Spice and Wolf OP]

I might have been disappointed with the anime version of Spice and Wolf (and I eagerly await the release of the light novels to properly judge the franchise), but this OP made the whole endeavor worth it. I like the subdued yet powerful vocals; sadly, I have no idea what else Kiyoura Natsumi has done.

Base Ball Bear – changes [Toshokan Sensou ED]

I’d liked Base Ball Bear previously from their Ookiku Furikabutte OP, which was great, but changes was amazing and provoked me to further explore their discography. They are, indeed, awesome. I loved the show, and was sad when the episode ended, but the segue into changes always made me feel better. Much, much better.


You knew it was coming. The very first thing I said when I saw the artist and title for Xam’d OP was “this song better be as awesome as the band name and title are.” Not only was it awesome, I found myself stuck on the album, EXPOSED, for at least a month and a half afterwards, and I even ordered it last trip to CDJapan. On a random whim. I am glad I did.

Kugimiya Rie, Horie Yui, and Kitamura Eri – pre-parade [Toradora! OP] / Horie Yui – Vanilla Salt [Toradora! ED]

Seiyuu pop never usually tends to grab me, as it tends more towards the bland side of pop than the good side of pop. Not so with the Toradora! OP and ED. Maybe it’s just the dirty bass, maybe it’s just because it sounds suspiciously more fuzz-pop like Momoi’s sunday early morning (best song consisting entirely of anime titles ever), or maybe I’m just tossing out vaguely appropriate musical terms in an effort to impress (trying to figure out musical genres has never been my forte), but I feel the Toradora! songs are legitimately good.

Nishikiori Ken – Ano Sora o Yuke [Tytania OP]

All I really have to say here is that he shoves the sword through the spaceships in a moment of sheer logical impossibility possibly only in an OP sequence. It is awesome. That is all.


Sound Horizon – 冥王 – Θανατος [Moira] (the PV if you think you’re man enough to handle it)

This has nothing whatsoever to do with anime (well, kind of), but Sound Horizon’s newest album, Moira, was released in October (hence why I placed the order that ended up containing EXPOSED), and, well, it was awesome. Really, really awesome. I don’t think I’m quite in the audience for the PV version (or maybe even the live DVD due out in March), but I’m definitely in the audience for the music itself.

p.s.: That’s only the first track from Moira. The next is a Russian polka, with Jimang going nuts for seven minutes. Then Ike Nelson talks at you for six minutes. Then it’s totally opera for the next hour, with whatever instruments Revo thought would sound good for the track in question. It’s truly an impressive album, and at the few lyrics I manage to understand, my mind melts. Native Japanese speakers have trouble figuring out what’s going on in Sound Horizon albums, so don’t fret about the language barrier too much.

At any rate, I think I’ve been spending way too much of my time this year listening to music. Mostly because it keeps me occupied while at work, I suppose. Or else revisiting a hobby all over again. Or something.

Happy New Year anyway, though! I don’t know if I’ll ever get around to a retrospective (it seems too self-indulgent, even for a blog, which, by definition, is self-indulgent), but if I do, sometime this week! Maybe! Exclamation point!

(errata for this post located in the subsequent post)


I cannot understand those that take anime seriously, but I can love them, and I do. Out of my love I warn them to keep clear of this blog.

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December 2008