A Brief Note on Yawara!: Dangerously Cute, or Cutely Dangerous?

This is Yawara. Does she look like she can toss you, judo-style, without even blinking an eye, or even being aware that she just tossed you? No? Not at all? Even that really cute hair ribbon, which looms ominously with its smallness and greenness? Or that cardigan, embroidered with the four suits of a deck of cards?

Didn’t think so. But she can. Oh, she can. The more important question is, does she look like her character was designed by Urasawa Naoki, the same man who drew the seinen modern classics Monster and 20th Century Boys?

I actually first heard of Yawara!: A Fashionable Judo Girl! a year or so before I even got interested in anime at all, so it’s got an ancient history. Someone was using it to illustrate how long anime series could get (I don’t think, at that time, she’d actually seen any of it, but she was in a group of friends who had access to VHS fansubs since this was Back In The Day; Back In The Day is also when I first watched Mahoujin Guru Guru and was the only person in my high school’s anime club who wanted to watch another episode of that over the first episode of Escaflowne, a sure sign of obsessions to come), but, alas, I never really had the chance to pick it up until reminded of it years later, when AnimEigo announced that they had picked the series up for release in the States.

Of course, I noticed right away when checking up on it that, lo and behold, who wrote the manga but Urasawa Naoki. “Wait, wait, wait,” I said to myself, “how does this work? He gets popular via Yawara!, and then goes on to author things that are totally unlike Yawara!, but still amazingly awesome?” I’m not entirely sure when Urasawa switched gears from drawing Yawara, an extremely shoujo manga/anime (even though Wikipedia lists the series as “seinen”, which just confuses me even more, and makes me realize how useless demographics can be in describing anime and manga), to drawing hard-boiled seinen manga, but it’s quite the jump–and, as I have discovered recently, he’s equally good at silly shoujo comedy as he is at thrilling psychological suspense.

AnimEigo has already put up a nice page that explains the basic premise of Yawara (and provides a link to a free+postage copy of the first DVD with four episodes on it, as well as a form to tell AnimEigo that you’d love to give them your arm, leg, and firstborn to own the first 40 episodes–and I have already removed my arm and leg and am searching for a girl with whom to have my firstborn so that I can send it off to them in exchange for blissful Yawara goodness*), so I’ll just step right past that part and explain what, exactly, is good about it.

It actually aired around the same time the far more popular (in the West) Ranma 1/2 aired, and was considered its “sister series” by virtue of being somewhat similar in premise to Ranma 1/2 (minus the gender confusion)–they were both comedies involving martial arts. Yawara!, however, was much more popular than Ranma 1/2 in Japan (Ranma was actually cancelled early on, but resurrected and became the 160+ episode behemoth it is today). From what I’ve seen, the first four episodes of Yawara! were far more amusing than the same in Ranma, but that’s probably just my personal sense of humor jumping in.

I think the humor was more successful simply because of how bizarre and outlandish the characters are: Yawara hates judo so much she refuses to even tell her friends her grandfather, Jigoro, forces her to practice it; Jigoro himself is amazingly hilarious, obsessievely correcting every factual error people make about him and plotting and scheming to give Yawara her big debut. Jigoro goes to far as to intentionally set out to create a rival for her, in the form of pampered rich girl Sayaka. Yawara, of course, cares less about Sayaka than she does judo itself, but that doesn’t stop Sayaka from hiring the greatest playboy in the world as her judo instructor, Kazamatsuri (he is a playboy, all right–not entirely sure how he gets the ladies, though, since he’s amazingly shy, but since Yawara is taken by his rugged handsome looks and dashing personality, he must have SOMETHING going on). They are all pretty standard characters, but somehow it all manages to form a highly entertaining whole–I haven’t been bored at all watching the four episodes I’ve seen up to now, even though effectively nothing actually happened.

It’s not a series for everyone (what series is, but that’s another problem entirely), but for anyone interested in a) old shoujo-ish anime b) old anime period or c) finding out how amazingly awesome and cute and 100% pure Yawara herself is (she’s a totally average girl, except for the judo thing, but that has a strange kind of allure, that probably made the series as popular as it is. I might even call her…moe [cue shock and horror]), it’s definitely worth a look, even if you don’t end up consigning $130 to the first third of the series.

*I complain about the pricing, but considering that AnimEigo is a niche company in a niche market, you’re not likely to get much cheaper than that. I feel bad that I never got ahold of their excellent SDF Macross DVD sets, due to the high price point. There are fansubs that you can obtain that take you through episode 47 if the four-episode sampler disc isn’t enough to convince you (it pretty much was for me), and I can’t guilt or otherwise force you into buying it, but if you watch and enjoy to a noticable degree those 47 episodes, considering the small, practically family-run nature of AnimEigo, it’d just be outright rude not to fork over the cost of the set, or at least fork over the cost of the next two/three sets to finish the series up. At some point in time. When you have the money. And only if you live in North America. And if you have arms, legs, and firstborns to spare. But, seriously, from what I can tell, AnimEigo seems to be willing to work with difficult financial situations, so you can get a $130 box set for just $10 a week for 13 weeks! Or something. I suspect, though, that if you’re reading this post this far, you’re probably the sort that would buy it anyway, because you can. Or something.

Advertisements

4 Responses to “A Brief Note on Yawara!: Dangerously Cute, or Cutely Dangerous?”


  1. 1 Sasa 13 July 2008 at 4:35 am

    Huh, Yawara is a shoujo? I just re-checked and saw that the manga ran in Big Comic Spirits – the same magazine where Urasawa also published his “hard-boiled” seinen 20th Century Boys ;) With Homunculus, Uzumaki and the likes in the same magazine, I think we can be rather safe to say that Yawara qualifies as a seinen as well.

    I never knew Yawara had an anime, now I am intrigued…

  2. 2 OGT 13 July 2008 at 8:39 am

    It is seinen, I mentioned that somewhere up there in relation to being confused, 90% of the time people report a series’ target demographic as being something it’s actually not; I think ANN is the worst about this, they tagged Hitohira as Shoujo despite it running in Comic High!, which is a very very seinen serial. I didn’t actually look at the demographic and simply assumed it was shoujo (due to the nature of the series) until I went to Wikipedia to check that fact specifically and did a double take.
    .
    It feels more shoujo-ish, though, but that’s just me and the fact that I went into it with that frame of mind. It is also very seinen, but target demographics don’t really make any sense these days sometimes, because there’s a lot of crossing-over and other brain-hurting activities.
    .
    CONCLUSION: I don’t know Jack. Or, in this case, Urasawa.

  3. 3 Sasa 17 July 2008 at 7:47 am

    Yeah, back in the day people thought “Ah Megami-sama”, “Chobits” and “Love Hina” were shoujo. It seems you have to be a little bit of a hardcore otaku to realize that Hitohira cannot possibly be a shoujo. But I do agree that Yawara looks more shoujo-ish than most series that wrongly get labelled as such.

    It’s more difficult to label anime, I suppose, they can aim at a different target than the source material after all. I agree with you on your conclusion: We don’t know and it doesn’t matter all that much.

  4. 4 OGT 17 July 2008 at 8:56 am

    I remember listening to a student presentation in a sf/f lit class a few years ago (long after the Love Hina = shoujo myth should have been gone) wherein the presenter claimed just that. It amused me, because I’d never had that misconception and didn’t know it existed.
    .
    Then again, the demographics are crossing, in part because anime fans are extremely willing to ignore demographics and just watch whatever they want to watch. Shounen Jump has a high female audience (I want to say “majority” but I have no evidence to back that up).
    .
    I’m even charting trends where series targeted at men (both shounen and seinen) contain plot elements and an overall “feel” that I would generally ascribe to shoujo (as far as my limited experience with shoujo tells me this, anyway), and series targeted at women are adopting traditionally shounen elements, so I’m pretty sure that target demographic has nothing to do with anything these days.


Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s




NOTICE SHAMELESSLY STOLEN FROM G.K. CHESTERTON

I cannot understand those that take anime seriously, but I can love them, and I do. Out of my love I warn them to keep clear of this blog.

RSS Recent Songs

  • An error has occurred; the feed is probably down. Try again later.

a ridiculously long and only partially organized list of subjects

Pages

July 2008
M T W T F S S
« Jun   Aug »
 123456
78910111213
14151617181920
21222324252627
28293031  

%d bloggers like this: