Allison & Lillia: Sleepy Allison & War Humanism

There are two things about this episode I liked. One of them is pictured above. The other I’ll get to in a bit.

The second episode of Allison & Lillia (subbed) struck me much better than episode one of Allison & Lillia (raw), which was probably due to the subtitles again. Maybe I should just stick to watching Chi’s Sweet Home raw, but…

I almost felt like, somehow, production levels had gone up. The coloring style which felt flat in the first episode seemed to be much more natural and nuanced than in episode one. The characters also seemed to be drawn slightly better. I don’t really know if this actually happened or if I’m just making things up, but the art did strike me much differently.

On a seiyuu note: I almost feel like Allison is one of Mizuki Nana’s best roies. I mean, I’m a big fan of Fate Testarossa, but most of that comes less from a character standpoint and more from a aesthetic standpoint. Allison is a charming, lovable girl, and quite genki, and I always love genki girls.

Okay, that’s the end of short paragraphs.

I found it most interesting in this episode to see the portrayal of nationalism at work. Although she’ll probably only exist for this single episode, Radia portrayed an interesting issue in the mechanics of two countries with open or not-so-open hostilities towards each other. Radia, here, hated Roxche because the war claimed the lives of her two sons. This is (and feel free to shout “No shit, Sherlock” at the screen any time here) the product of any conflict between two people: enmity between one person and an entire country in general. We see this today in America with Americans’ perspectives on the MIddle East,. i.e., they’re a bunch of <offensive racial epithet possibly involving towels, camels, and/or burkas> and we should toss a couple nukes their way and save everyone a good deal of headaches. This may not be how you feel, but surely you know of at least one person who does. This is nationalism at work.

Nationalism, however, breaks down on the personal level, as Radia demonstrated here. When confronted with Allison and Wil, two wayward children from the hated Roxche, she intially treated them with hostility and threatened to turn them into the police. She took care of Wil through simple human courtesy, and fully intended to turn them over to the authorities, where Wil would probably be taken care of in a rather permanent fashion along with Allison. Even the most stalwart hatred, however, breaks down when confronted with an example of the hated object which exhibits none of the signs of being anything like the nebulous entity which you hate. And, so, when Radia discovers that Allison and Wil had known her friend Grandma Moot, who had migrated to Roxche to open an orphanage, she quickly realizes that Roxche is just like her country, Sol Beil: it’s made up of a large number of individuals, who all have their own thoughts, feelings, and emotions, and, when dealt with on a personal level, seem much less threatening. Unless they’re belligerantly pushing you around or something of that nature, in which case you probably don’t think too much about their humanity.

The realization that the enemy is always human can go both ways: in the case of the world of Allison & Lillia, the people of Sol Beil could hate Roxche less, and vice versa. Nationalistic-based pride and scorn is a self-feeding machine–you hate them because they allegedly hate you, and they hate you because you allegedly hate them. It’s how people work, unfortunately, and there’s always people on both sides of an enmity like this who really do feel this way, but there’s also people who feel differently. The only thing that you can do about it as a person is to not hate the enemy you’re told to hate, be it the tyrants of Roxche or those cotton-pickin’ terrorists that hate our freedom.

Yes, in terms of the story, this might just be, for the jaded viewer, a ho-hum plot device designed to waste time before the actual plot starts, but, this being a Sigsawa Keiichi story, I highly doubt this was done for little reason. It’s a small message that serves both as a plot device and something that you  can extrapolate out into the larger scheme of things. Messages in fiction don’t have to be grand, sweeping, and life-changing to provide some kind of insightful comentary, no matter how small.

That, or I’m just bonkers. One of the two.

Advertisements

8 Responses to “Allison & Lillia: Sleepy Allison & War Humanism”


  1. 1 lametastic 18 April 2008 at 1:28 am

    As far as I know, Allison is actually a book series aimed at young readers. To most old folks the “message” of this episode must seem to be a bit obvious, but I think most children would find it novel. I think a reviewer once noted that Sigsawa books always make you ask questions that other books for young readers don’t even dare to. And I think that’s great.
    Now, the real question is: Why the hell is this a midnight anime? *sigh*

  2. 2 Mike Huang 18 April 2008 at 1:29 am

    Good analysis. What else has Sigsawa done? I’d be curious to know his track record to see what it might portend for this show, which I think is the most promising one I’ve seen so far this season.

  3. 3 Mike Huang 18 April 2008 at 1:30 am

    Ah, ‘lametastic’ answered my question it seems as I was typing my response. Thanks.

  4. 4 OGT 18 April 2008 at 8:15 am

    @lametastic: Yes, I’m aware that Sigsawa asks questions of his young readers that tend to go overlooked in other children’s literature. I’m kind of ashamed that I haven’t seen/read Kino no Tabi (to answer Mike’s question) yet.

    Side note: I’m pretty certain I need to be reading more children’s/YA literature, as I think part of the reason I like anime so much stems from the fact that it’s quite similar to children’s/YA lit, in that it has a bigger sense of wonder, awe, and creativity. It’s probably just that I’m a child at heart, or something like that.

  5. 5 TheBigN 18 April 2008 at 11:31 am

    Mike: He also wrote the novels for Kino’s Journey.

    “Allison is a charming, lovable girl, and quite genki, and I always love genki girls.”

    For another role like that, you could check out Mokke, which ended a couplf of weeks ago.

  6. 6 lametastic 19 April 2008 at 1:35 am

    Mokke seems to be very similar to Allison in terms of art style, I think. If I remember correctly the production team is almost the same, but I’m not too sure.

  7. 7 astrange 22 April 2008 at 1:59 pm

    grandma moot


  1. 1 Colonial Code Geass and Narnian Nerve Gas « The Animanachronism Trackback on 14 May 2008 at 7:04 am

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out / Change )

Twitter picture

You are commenting using your Twitter account. Log Out / Change )

Facebook photo

You are commenting using your Facebook account. Log Out / Change )

Google+ photo

You are commenting using your Google+ account. Log Out / Change )

Connecting to %s




NOTICE SHAMELESSLY STOLEN FROM G.K. CHESTERTON

I cannot understand those that take anime seriously, but I can love them, and I do. Out of my love I warn them to keep clear of this blog.

RSS Recent Songs

  • An error has occurred; the feed is probably down. Try again later.

a ridiculously long and only partially organized list of subjects

Pages

April 2008
M T W T F S S
« Mar   May »
 123456
78910111213
14151617181920
21222324252627
282930  

%d bloggers like this: